Review | Critique

ARTICLES

A tale of a hermit woman
in the Siberian taiga

Scapegoat Carnivale’s new play Yev based on a true story. By Byron Toben

Proof proves SM = GT
(Subject of Math = Gripping Theatre)

Snowglobe Theatre’s version of Proof assembles a fine cast. By Byron Toben

Serious Money pounds
dollar greed in 1987 London

The National Theatre School adeptly performs  Caryl Churchill’s fast-moving play. By Byron Toben

A universally appealing
immigrant family drama

How Black Mothers Say I Love You tells a story of separation and reconciliation. By Byron Toben

Katherine Parr as forerunner
to modern woman

The Last Wife features an excellent cast skilfully directed by Eda Holmes. By Byron Toben

Blackout sheds light
on 1969 SGW riots

A well researched and well played first theatrical depiction of the events. By Byron Toben

Boom X lives up to expectations
and more

Rick Miller’s one-man show presents the music, politics and culture of the 70s, 80s and 90s. By Byron Toben

Infinitheatre gem
Kafka’s Ape soldiers on

An enjoyable satire on a serious subject done with artistry and humour. By Byron Toben

Children of God
at the Segal Centre

Musical exposes the abusive native residential school system. By Byron Toben

True Crime a result
of many ingredients

Torquil Campbell’s one-man show looks into split personalities. By Byron Toben

Wildside Festival 2019 wrap-up

Reviews of two more amazing shows and closing comments. By Byron Toben

Wildside Festival 2019
delivers the goods

A silent Macbeth contrasts with a wordy Hyena Subpoena. By Byron Toben
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